
That’s pretty much all the feedback indie devs that barely get any wishlists on their steam pre-release pages get on the gamedev subreddit.
A lot of, “I have no idea what the game is supposed to be from the trailer. Is their a narrative? Can’t tell from the trailer. Not much going on in the screenshots. That name isn’t very google-able. You barely have a description and there’s no media in the description either to flash it up. Do you not have any tiktok/Instagram/YouTube presence? YouTubers/Steam curators/Twitch? Did you submit for the Steam Indie Game/Next Fest? Have you submitted to any indie publishers and received feedback? You may be better off with a publisher if you’re not willing to do social media and help with trailers and screenshot selection and writing your Steam page.”

The people that own Lara Croft really try to market the franchise constantly in anyway they can. Maybe the UK in general. Like when that British awards group awarded Lara Croft as the world’s most famous female video game character and the rest of the world was confused but understood the home cooked voting. Guinness world records don’t excite like they used to once the book stopped being relevant because of the internet and the steady stream of things being announced as a guiness world record
TV show isn’t on any different trajectory than Fallout has been since Fallout 2. Ya it’s still a big jump in goofiness from 2 to Bethesda 3. But fallout 4 to TV show, that’s not huge leap into over reliance on 50s commercial aesthetic and goofiness and snark. I’d be more worried about elder scrolls 6. Skyrim didn’t dump out weird lore like oblivion which also had less weird lore than morrowind. Still solid though. Post Fallout 4, 76, Starfield, Fallout TV - I can see the next elder scrolls being a big up in goofiness for entertainment over weird lore that’s entertaining. Like lots of “until I took an arrow to the knee” attempts at meme-able characters