
I’ve had an idea of making a visual novel with gen AI, but I’d want to attach “Placeholder: AI Artwork” in a visible location for each sprite. And I only even consider that because I’m not exactly a known game dev and don’t have ready access to artists.
Larian should likely expect if they’re taking shortcuts in their position, they’d get backlash. I can at least recognize that they’re trying to be moderate about it.

I’m a sucker for Zenless Zone Zero. I recognize it’s often catering to male gaze, but I appreciate there’s some uniqueness and interesting themes to the designs.
Basic example, “Corin” being on first blush just a cute maid cut, but also following a Frankenstein design theme with the bolts/chainsaw and hair color.
They’ve also had a “bunny-girl”, Alice, who much like real bunnies is skittish and easily frightened (and is thankfully not nearly as sexualized as the theme often carries)

The worst part is, I consider myself a bit of a gooner; I like alluring, attractive characters. But that was meant to be a story-based game, and yet it designed so many jokes around attractive women dressing in rags, being clueless, easily offended, and seemed to design the story around an intense contact between a shonen hero and a large-breasted woman.
At least in something like Stellar Blade, they evade the subject because they know there’s nothing constructive to say.

I’m sure they will over time, but I would guess there’s a surprising number of potential issues with any font variance. That’s the kind of thing that can appear hardware-dependently, like certain high/low-res monitors showing fonts too big, too small, or even not at all. So any bug fixes that have come through on the subject will rely on user bug reports.
If it was as simple as the font swapping feature seen in Word, I’m sure it wouldn’t be a big deal.

Umbrella evil. There, that’s pretty much your catch-up on every game’s story.
I guess it gets confusing with recent remakes of 2, 3, 4; they’re meant as clear entry points, and the latest version of RE1 is still a bit old (though it too is a “remake” of an ancient PS1 edition)
7 is extremely different from the others - it was even thought to be a new/different IP when it was revealed. Village is a direct sequel to that, but could also be enjoyed alone; it’s a bit more action and less creepy.

Wonder if H4 will really continue off WOA’s ending; or if it’ll be some weird reboot.
For those who don’t know, the ICA, signature org 47 follows, was dismantled in WOA’s story since it was basically a servant of Providence. Providence itself was too large to destroy, so Diana still runs it, basically just dismantling as much as she can.
I might even be interested in some form of main character switching for Hitman if they can invent someone that has most of 47’s capability with some interesting nuance. (No, the spoiler is not that 47 dies)

Take a look at Half-Life 2’s old Face Poser software. I feel like you don’t see that sort of action-level control much anymore.
Indie studios are evading the need for lipsync entirely, by making simple models, giving people masks, putting them on radio overlays, etc. AAA studios are overengineering it, putting a $4,000,000 actor in a motion capture suit for each of their cutscenes to capture every fine detail as they stare in wonder at the white ping-pong ball in the studio with the sign written; “LOOK HERE”.
Face Poser was a good median; it’s where the director gets control, but you don’t need a vast technical setup beyond animations, some vowel extraction, and some basic know-how. It means that if the director wants to add a criticism “No, character B should give a dubious, unsure look when character A says that”, it’s something they can apply directly rather than ask the animators to do by hand.
For some reference, old machinima like Clear Skies, or my own “AS” made use of Face Poser.

Don’t forget, “Turns out it was a losing bet to back DEI and Trans people”.
This is something scared, pathetic, loser, feral, spineless, sociopathic, moronic fascists come up with to try to win a crowd larger than an elevator; Assume the outcome as a foregone conclusion and try to talk around it, or claim it’s already happened.
Respond directly. “What? That’s ridiculous. I’ve never even seen ANY AI that I liked. Who told you it was going to pervade everything?”

I think the studies showing how certain minds can be targeted and manipulated by dark gambling patterns made me think differently about gambling. I’m less likely to blame the victims now - in many ways it can be difficult or near-impossible for them to control those impulses. I’d at least like lootbox gambling slop to be regulated the same as casinos.
Look how popular fantasy sports is now. It’s basically just the casino industry seeking out new avenues to cheat the definition of “Playing odds to win cash”.

I’d love it if a group could collude on a standard for music signals.
Imagine this: You have a music player following this signal standard.
Game starts, it signals GAME_STARTED, and the media player signals STOP_GAME_MUSIC, so the game itself plays no BGM, leaving it to the music player. But, then the game can also signal later on: THEME_MENUS, THEME_EXPLORE, THEME_COMBAT, THEME_BOSS; and the media player can respond to that by cross fading between playlists built for each.

I could still see it as an admission of imperfection.
Arc Raiders includes an “unstuck” feature. They’re aware their physics system isn’t infallibly perfect, and getting stuck permanently could lead to loss of hard-earned gear. So, if a player is in one spot for more than a minute, they offer an option to teleport you to a safe place a few feet away.

I feel like I get where he’s coming from, but I can see the revulsion.
I picture someone asking their AI to write a rules engine for a gamemode and getting masses of duplicative, horrific code; but in my own work, my company has encouraged an assistive tool, and once it has an idea of what I’m trying to do, it will offer autocomplete options that are pretty spot on.
Still, I very much agree it’s hard to sort the difference and in untrained hands can definitely lead to unmaintainable code slop. Everything needs to get reviewed by knowledgeable human eyes before running.

On the gacha front, I play Zenless Zone Zero. Parry mechanics are nothing new, but I love both the way they have you parry by swapping in an agent to take the blow, and the very detailed effects and animations they have for each attack.
It’s still a gacha, and I remind myself to stop playing anytime it bores me; but it manages to hold my attention decently.

Here’s aiming to be hopeful…
I remember back when playing DRM video in a web browser on an open source operating system seemed like a worrying impossibility. Many sites stayed stuck on closed-source flash players for that reason alone. It was a while before we ended up with this solution I only partly understand - where the DRM decoding is handled through some kind of trusted block, that generally doesn’t have full OS control?

I feel like a lot of these pointer devices miss the simplicity of a remote. A simple one will have a tough time entering passwords, but it’s perfect and simple for the most common actions: Turn on without walking across the room, open the most recent application, play the next episode of the series I was watching last, usually just by mashing confirm. (Nothing to tell it to go fullscreen: Because that’s an obvious assumption for everything)
Running it all on a PC just adds more steps, unless you follow a LOT of guides to configure it to get through those things easily.
I’d really like it if web standards were better at allowing a video website to be navigated with an “Up/Down/Left/Right/Confirm/Back” device, so that you didn’t need apps for everything. That would be good for consumer devices like Apple TVs as well as people running home PC setups.
Trails in the Sky has some interesting logic behind this where the gameplay serves the story.
You’ll do some quests for people who actually end up being evil later in the plot. There’s also party members who temporarily join you while they have time off from their other job - then as the story progresses, their “lunch break is over” and they go back to their life. So, if you try to save content for later, it won’t be there anymore.
Those little things end up putting more focus on what is accessible at a given moment, so a level 60 player isn’t going back to the starting area to wrap up quests he doesn’t care about for completion.

So I’m nowhere near a billionaire and it’s perhaps worthless to compare - but once many orgs know you are a “source of charitable donations” they spend a LOT of spam your way - and chances are good that at least half of the charities are scams that barely help anyone. So there’s likely also an unwelcome degree of effort and anxiety in ensuring charity money is used well. Hence why Bill Gates started his own.










Recently this channel came up in my feed. There’s a few like this, that will highlight interesting games on Steam that haven’t had much attention.
https://www.youtube.com/@IndirectGames